Alexa Stark

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Date of publication: 2017-07-09 01:53

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COINCIDENT FRANKENSTEIN 300B SET AMPLIFIER

Upon his departure from Geneva, Victor reflects on the fact that he knows no one at Ingolstadt he has always been unable to enjoy the company of strangers. However, his spirits are lifted by the thought of acquiring new knowledge.

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Because Victor speaks in first person, the other characters are presented as they relate to him ("my father, my mother, my sister"). At the beginning of his narrative, Victor is deeply embedded within a traditional family structure, and we develop our first impressions of his character in relation to it. His childhood is almost implausibly ideal the reader therefore expects Victor to reflect the love and beauty with which he was surrounded as a boy.

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Hoping to ease his grief, Victor takes a vacation to the mountains. While he is alone one day, crossing an enormous glacier, the monster approaches him. The monster admits to the murder of William but begs for understanding. Lonely, shunned, and forlorn, he says that he struck out at William in a desperate attempt to injure Victor, his cruel creator. The monster begs Victor to create a mate for him, a monster equally grotesque to serve as his sole companion.

Frankenstein begins his tale, sensibly enough, with his childhood: he is from a wealthy and well-respected Swiss family. His parents met, he tells us, when his father went in search of a dear old friend. This man, named Beaufort, had fallen into poverty and obscurity when the elder Frankenstein finally found him, he was entirely wretched and very near death. His daughter, Caroline , attended him with almost-religious devotion. Upon Beaufort's death, Caroline turned to Master Frankenstein for comfort, and the pair returned to Geneva together a few years later, they were married.

Frankenstein study guide contains a biography of Mary Shelley, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis.

It is not accidental that the reader now learns the narrator's last name ­ Frankenstein ­ for the first time. This serves to depersonalize him and to distance him from the reader, thus signifying the abyss of experimentation into which he will soon fall. Indeed, "Frankenstein" can be seen as a separate persona, the embodiment of the narrator's god/scientist self (as distinct from the culpable humanity represented by "Victor").

".[They] have performed miracles. They penetrate into the recesses of nature and show how she works in her hiding-places. They ascend into the have acquired new and almost unlimited powers they can command the thunders of heaven, mimic the earthquake, and even mock the invisible world with its own shadows."

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